Dan Holloway writes a conundrum

Dan Holloway’s recently published novel Evie and Guy is a true oddity. The author wanted to write a novel without using those restrictive things: words. This has been done before, of course. Most recently (to my knowledge) by Sheridan Shed Simove whose What Every Man Thinks About Apart From Sex briefly became a bestseller in 2011. Simove’s book of 200 blank pages was a cleverish joke. And you could scribble whatever you liked on the blank pages when you got bored with it. Ultimately, however, the joke had a pretty limited shelf life and it was an expensive sort of notebook

What Dan’s done isn’t a bit like that. Evie and Guy is 120 pages long. Apart from the prelims it contains nothing but numbers. And it is not a joke.

It is almost impossible to say anything about the content of this book because of  spoilers. You may wonder how that could be possible for a book comprising only numbers but, oddly (as I’ve been wrestling with this review for a couple of weeks now) every time I write a sentence describing its content I find that what’s in that sentence is likely to impinge on your reading pleasure.

So how to review this? It being a book of numbers and yet still claiming to be a novel is, of course, noteworthy. And here we are on safe ground: it certainly is a novel. It is one which has something in common with the old ‘choose your own adventure’ novels. In this case you don’t turn to page 85 if you want Boobjob the Magnificent to slay the dragon or page 231 if you want her to sojourn in yonder tavern. The author invites you to impose your own experiences – and you have those on too many levels for me even to contemplate listing here – on the numbers he has provided and create something completely new as a result. Indeed, it should be possible to return to the book time after time, with a slightly different mindset, and find new stories among the numbers in it.

Do investigate Evie and Guy for yourself. It gives more free rein to the imagination of the reader than I have ever encountered before. And it demands the reader bring more of him/herself to it than any book I’ve previously come across. The only boundaries to one’s imagination are the numbers on the pages. And, conversely, the freedom to choose one’s own narrative is entirely dependent on those same numbers. It may be the first book ever to do this. There is a clever philosophical concept which underlies this premise, which I don’t pretend to understand – but I do understand the power that Dan Holloway has given to his readers with this book. You could, indeed, use it to generate other works of fiction. It is both completely satisfying as a novel and totally frustrating. It demands that you trust-fall into it. Otherwise all those numbers become just spiky little marks on the page. Embrace it and you can lose yourself in it for hours.

Dan has posted an explanation of the project on the ‘Do Authors Dream of Electric Books?’ website. Do not read this article before reading the book. It’s called ‘How do you write a novel without using words?’ Here’s a link to it: http://authorselectric.blogspot.co.uk/2013/04/how-do-you-write-novel-without-using.html.

And this is what Dan says about how to get hold of a copy of Evie and Guy:

“This pdf  is provided free of charge. Please feel free to share it at will provided you also do so for free and you keep all the credits intact. It is free because I believe culture should be as widely available as possible. If you enjoy this work, or think it important that I carry on working on projects like this, please donate whatever you can afford/feel is appropriate by Paypal to songsfromtheothersideofthewall@googlemail.com. Or, from April 12th, buy the paperback, details of which are at http://danholloway.wordpress.com.”

Enjoy!

Published by Judi Moore

Hi there, I hope you find something to interest you here. In July of 2022 I published my fifth book: a volume of short stories set in and around Weymouth. I came to live in Weymouth in 2016, and one of the first things I looked for was a creative writing workshop. In fact I was lucky enough to find two – Off the Cuff and Weymouth Writing Matters – both of them exercise based. Those twenty minute exercises every week produced a lot of very short fiction that could only have been made here, in Weymouth. When Covid closed down our lives in March of 2020 I immediately cast about for a writing project to keep me busy for the duration. There sat 10 notebooks full of workshop writings, never revisited. I wondered, what’s in there? So through lockdown I keyed up the draft scrawls in those notebooks, finishing some stories, editing and polishing them all. While I was doing that, I was lucky enough to pique the interest of a talented artist friend, Mat Cross, who has made a full page illustration for each story in the collection (and a kick-ass cover for it too). Nowhere is the pandemic mentioned, because all these tales were told between 2016 and 2019. I’m sure there are many stories to be told about our Covid experiences, but these are not they. I don't believe you need to be a Weymuffian born and bred to enjoy these stories. Give them a go, why not. In December 2017 I published my fourth book – ‘Wonders will never cease’. It’s a satirical campus novel set in the fictional Ariel University in 1985. If you enjoyed Tom Sharpe’s Porterhouse novels, Willy Russell’s ‘Educating Rita’, David Lodge’s campus novels or Malcolm Bradbury’s ‘The History Man’ back in the day, you may enjoy revisiting the ivory towers of 1980s’ academe thirty years on. See what you think. In the autumn of 2015 I published a volume of short fiction: 'Ice Cold Passion and other stories'. It contains 9 of my longer, better stories. Some of them won prizes before I collected them up and published them. In 2014 I released a novella 'Little Mouse', which is an historical fiction set in Berlin and Edinburgh during and after World War II. It attempts to consider how war pursues those caught up in it for many years after the actual events. My first novel, 'Is death really necessary?' I released in 2009. It is an eco thriller set in 2039, the basic premise of which is that petrol is, suddenly no longer available. I'm rather chuffed that the book is still topical nearly 15 years on. And my take on future technology (which has, of course, long since been overtaken by events) stands up pretty well [preens]. Take a crack at it, why not, and see if you agree. All my books are available from all good online bookshops and FeedARead on paper, and as e-books on Kindle. On a semi-regular basis, and about a month after the event, I post here reviews which I do for Big Al & Pals, the premier reviewer of indie books, based in the States. My interests tend to thrillers, SF, magic realism and other quirky stuff. On this blog are also posted the reviews I did for Leighton Buzzard Music Club between 2010 and 2015. LBMC present annual seasons of eight monthly chamber music concerts at the Library Theatre in Leighton Buzzard, Bucks. They select young musicians just beginning to make their name - and the concerts are usually magnificent. I was very proud to be associated with them. I am delighted to report that they have survived Covid and are still running. Here is a link to their webpage. If you live in the area their concerts are well worth attending. https://www.lbmusic.co.uk/ From time to time I review other books I've enjoyed, and occasionally music, theatre and exhibitions. BTW - it says the link to Facebook is broken. I dispute that. Click it and see what happens? In any case I am easy to find on FB, and very happy to see you there.

3 thoughts on “Dan Holloway writes a conundrum

    1. I think one of the reasons is that as soon as I’m given words to play with I ramble ad infinitum. (there are links on my website to some very lengthy interviews about what i was aiming to do and how I did it). There is an explanatory note in the preface, but I know Judi thinks the book works better if you don’t read that until after the book.
      Judi, thank you for such a thoughtful, insightful review and for paying the ultimate compliment of taking what I was doing seriously

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  1. If you go to Dan’s website you can download a pdf. See what you think. I really daren’t say anything more about the approach because it does cause spoilers. You need to discover what it is for yourself, otherwise it loses its oomph.

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